frequently i get image and
identity
tangled. they dress the
same way sometimes,
sometimes her facebook
photo is what she's wearing
today. one is a broken clock,
and the other the sensation of motion. selective
slices and sculpture. graphite
and dna.
tonight and night in general.
i guess i've come to prefer
a sort of embossing
over anything posed
at least in concept
of what an imprint is,
what my image of
it is. still i sit here listening
to a band from 2000 miles
away, from a place
i've never been, and how
real is that?
i don't even eat that
much organic food.
i like that my bedroom wall
is brick inside and out- same -
even though it lets in
cold and the sound of the
train. i sometimes threaten wearing
the same clothes every day
just to consolidate
the two.
i reminisce over pictures
of florence. i reminisce over
non-pictures of non-places.
no one can see me right now.
Friday, March 22, 2013
Sunday, March 17, 2013
historical fiction:
embodied rocky gods
were flotsam
faces sculpted
from a hot fertile
sphere .
then the
plates split
at a tilt crystallized
violence
firs swayed in
wind
bison passed between their
shoulders, foot
imprints became
scattered fosse
and they slept
after this
shelf eroded into a hill
i sat my thoughts
on the ridge
and
hundreds of years later,
they sat like cobwebs
wisps
thin hair
above the heads of
futures
forgotten country
closet
embodied rocky gods
were flotsam
faces sculpted
from a hot fertile
sphere .
then the
plates split
at a tilt crystallized
violence
firs swayed in
wind
bison passed between their
shoulders, foot
imprints became
scattered fosse
and they slept
after this
shelf eroded into a hill
i sat my thoughts
on the ridge
and
hundreds of years later,
they sat like cobwebs
wisps
thin hair
above the heads of
futures
forgotten country
closet
Tuesday, March 12, 2013
submerged manifesto:
i mourn that
i am no longer part of
the innocence of children
i have offending hairs
blaming my skin
and imprints
from typewritten
verbs,
pasts
attached like briars
to my clothes
the waterline
of floods
in my frame
the cracks of heat
shaping my topography
drowned portfolio:
i've erased a thousand
hard drives
with my sins;
in pursuit of white n o i s e ,
cleansed my palette
with alcohols
and woken
with breath and blood
scraping off the
morning's fresh
paint
i've died to truth
to collect on
my policy of
happiness,
turned white cotton shirts
into vermicompost
to grow mushrooms
and tripping in my
self-esteem, crashed
at endlessness
gasp-prayer:
the shape of words can become more beautiful
than their understanding
when consigned to the image
writing itself becomes
a hand folded, in the service of a stream
i mourn that
i am no longer part of
the innocence of children
i have offending hairs
blaming my skin
and imprints
from typewritten
verbs,
pasts
attached like briars
to my clothes
the waterline
of floods
in my frame
the cracks of heat
shaping my topography
drowned portfolio:
i've erased a thousand
hard drives
with my sins;
in pursuit of white n o i s e ,
cleansed my palette
with alcohols
and woken
with breath and blood
scraping off the
morning's fresh
paint
i've died to truth
to collect on
my policy of
happiness,
turned white cotton shirts
into vermicompost
to grow mushrooms
and tripping in my
self-esteem, crashed
at endlessness
gasp-prayer:
the shape of words can become more beautiful
than their understanding
when consigned to the image
writing itself becomes
a hand folded, in the service of a stream
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